Jefferson Starship – The Limelight, Crewe, Cheshire. March 22nd 2004

Disc	Track	Time (h:mm:ss.f)	Title / description	
1	1	0:00:38.00	taking the stage	
1	2	0:03:08.37	Somebody To Love	
1	3	0:03:37.38	Crown Of Creation	
1	4	0:00:18.55	"Hide Witch Hide" (from Mau Mau)->	
1	5	0:04:12.20	   Let's Go Together	
1	6	0:01:18.00	"the only thing Russia can make worth exporting"	
1	7	0:07:03.37	Eskimo Blue Day	
1	8	0:01:02.38	technical tweak time	
1	9	0:06:36.00	Triad	
1	10	0:01:12.37	banter	
1	11	0:04:44.15	Planet Earth Rock And Roll Orchestra	
1	12	0:07:51.23	Hey Fredrick	
1	13	0:02:04.00	Santy Anno (banjo) - aborted, and things that suck	
1	14	0:03:28.00	Santy Anno (12 string)	
1	15	0:04:16.50	Slick's instro: In My Life	
1	16	0:06:08.25	Slick's instro: While My Guitar Gently Weeps	
1	17	0:01:45.00	dead air	
1	total	0:59:25.00		
2	1	0:03:45.67	The Sky Is No Limit->	
2	2	0:05:21.45	   Let's Go	
2	3	0:07:22.38	I'm A Dreamer	
2	4	0:04:34.00	Greasy Heart	
2	5	0:01:32.00	Sunrise->	
2	6	0:03:04.00	  Have You Seen The Stars Tonight?->	
2	7	0:00:57.00	  XM->	
2	8	0:07:51.00	  Starship	
2		1st encores		
2	9	0:01:53.00	assembling on stage	
2	10	0:07:16.22	Good Shepherd	
2	11	0:05:32.53	Won't You Try/Sat Afternoon	
2		2nd encores		
2	12	0:02:08.37	the audience calls for more	
2	13	0:00:37.38	Diana->	
2	14	0:06:18.00	   Volunteers	
2	15	0:01:07.27	audience / Snorky's sales' pitch	
2	total	0:59:21.27		

Technical: Sony ECM MS907 mic ->Sony TCD D100 DAT. Mic above soundboard, just house right of lighting desk 12’ up, circa 35’ from stage. Transfer from DAT using DAT digital out via POC-DA12P optical cable and Soundblaster Audigy 2NX. Minor tweaks in Cool Edit 2000. Track cutting done with shntool v1.2.3 – all tracks cut on sector boundaries.
N.B. – times above are in hours:minutes:seconds.frames, with 75 frames per second, so for example the last track, listed as 0:01:07.27, is 1 minute, 7 and 27/75 seconds long. Just thought you might like to know that  
Overview: This show was LOUD. At times almost unbearably so from where I was standing (those down the front were spared the full force of the P.A.) Luckily, judicious use of the levels control and serious vigilance watching the levels ensured that this show sounds a lot better on tape than it did to my ears at the time. There’s still a few times when the whole thing maxes out though. I believe one of our entourage dubbed the band “Jefferson Zeppelin” after this show.
Notes: Not enough in either case to be considered a genuine interpolation, Hey Fredrick does feature Diana “semi-ad-libbing” some lines from Across The Board, whilst Volunteers does see Paul, and then Diana, throwing in some chorus lyrics from We Can Be Together.