Jefferson Starship – The Corporation, Sheffield, South Yorkshire. March 25th 2004

Disc	Track	Time (h:mm:ss.f)	Title / description	
1	1	0:01:29.52	taking the stage	
1	2	0:05:11.60	She Has Funny Cars	
1	3	0:03:42.38	Somebody To Love	
1	4	0:05:06.37	Planet Earth Rock And Roll Orchestra	
1	5	0:03:54.38	Blessings	
1	6	0:07:01.00	Lilith's Song	
1	7	0:05:10.52	All Fly Away	
1	8	0:03:20.23	White Rabbit	
1	9	0:00:58.67	Mount Shasta->	
1	10	0:02:05.45	   Transubstantiation, Part II Science Friction->	
1	11	0:00:49.30	   Mount Shasta->	
1	12	0:05:43.08	   The Mountain Song	
1	13	0:05:59.00	Slick's instro: Come Together	
1	14	0:00:42.00	dead air	
1	total	0:51:15.00		
2	1	0:01:24.00	Underground (The Laboratories)->	
2	2	0:02:40.00	   The Sky Is No Limit->	
2	3	0:05:31.00	   Let's Go	
2	4	0:07:09.00	Hyperdrive	
2	5	0:02:10.00	Sunrise->	
2	6	0:04:00.00	   Hijack->	
2	7	0:02:48.00	   Have You Seen The Stars Tonight?->	
2	8	0:00:56.00	   XM->	
2	9	0:06:56.00	   Starship	
2	10	0:06:44.00	Have You Seen The Saucers?	
		encores:		
2	11	0:02:21.00	Be Young You	
2	12	0:01:36.00	some thoughts on dubya	
2	13	0:06:05.00	The Light	
2	14	0:04:36.00	Volunteers	
2	15	0:00:58.00	audience / Snorky sells shirts	
2	total	0:55:54.00		

Technical: Sony ECM MS907 mic ->Sony TCD D100 DAT. Mic house centre in front of soundboard about 8’ up, circa 50’ from stage. Transfer from DAT using DAT digital out via POC-DA12P optical cable and Soundblaster Audigy 2NX. Minor tweaks in Cool Edit 2000. Track cutting done with shntool v1.2.3 – all tracks cut on sector boundaries. N.B. – times above are in hours:minutes:seconds.frames, with 75 frames per second, so for example “Starship”, listed as 0:07:17.64, is 7 minutes, 17 and 64/75 seconds long. Just thought you might like to know that  
Overview: Many people’s favourite show of the tour, it was also the second shortest, and probably the worst attended. It didn’t deter the band, who broke out a lot of songs new to the tour that night, and probably would have paid longer if there had been more than (at a guess) 125 people in the house. That said, those who were there really enjoyed themselves! Short show that it was, there was very little dead air between songs, helped no doubt by the fact that the monitors were excellent, apparently. This meant the show barely stopped; this combined with the mixing up of stuff plus the introduction of different material compared to the previous few shows all made for a storming gig.
Notes: Looking like a converted industrial unit, the venue was a relatively long thin room, a concrete and metal box painted black, with nowhere suitable for setting up recording gear other than at the soundboard. Unfortunately, this means the recording suffers from the echoes expected of recording a band at one end of an empty room from the other end of said sparse and bare room. I’ve tried a little trickery in CoolEdit to reduce the effect, but I think this is one where we’re going to have to wait for the soundboard. Another show (like Bilston) with no “Home” in the Blows Suite.